


Even at it's most over exposed, Tx always had a fairly flat 'crushed black' vibe. Tri-X never looked like that, its far too contrasty and rich. Because while neither look like real film, at least VSCO looks the same from camera to camera. They work great on my T4i.īut on my a7rii they just look cartoonishly orange and sickly green and the contrast is way too high. Ultimately, there is no one solution for everything. Overall they are a bit more powerful due to the extensive tweak options. Mastin imo are the closest, most natural one click presets but they only seem to work in good light and are best on sunny days which is probably how they were designed. Bit late to this thread but here are my findings: I use both companies offerings but not the everyday pack yet. To find more examples and to purchase the 'Kodak Everyday' preset pack, head on over to Mastin Labs' product page. The Kodak Everyday pack requires Adobe Lightroom 7. If you're using another brand camera, Mastin Labs suggests using the Canon preset, which will give you similar results with only a 'slight reduction in accuracy. In addition to the base presets that come in the pack, Mastin Labs also includes toning profiles, custom white balance settings, and grain settings that replicate 35mm and medium format film grain structure. In Mastin Labs' words, this 'pack has three distinct looks: bright and vivid, gold and lush, or rich black and white tones. October 14, August 15, July 24, July 17, October 8, August 25, March 22, January 18, July 10, June 14, January 11, December 4, October 31, October 1, September 5, August 27, November 16, April 9, October 5, September 8, July 11, June 24, April 18, April 17, April 15, February 16, February 6, February 4, November 12, October 16, September 19, September 12, August 14,Mastin Labs has released a new collection of presets for Adobe Lightroom and Photoshop that aim to emulate the look of three iconic Kodak film stocks.
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